Cellist Jesús Castro-Balbi has developed a distinguished record of artistic and educational leadership nationally and internationally. He has performed extensively across the Americas, Europe, and Asia, including at Carnegie Hall, Mexico City’s Sala Nezahualcóyotl, Seoul Arts Center, Shanghai’s Oriental Arts Center, and at Tokyo’s Suntory Hall, and is featured in 13 albums.
As a soloist, he has collaborated with the China Philharmonic Orchestra, Leipzig MDR Radio Orchestra (Germany), Mexico City Philharmonic Orchestra, and the National Symphony Orchestra (Peru), and with conductors Arild Remmereit, Emmanuel Plasson, Fernando Valcárcel, Gregory Vajda, Linus Lerner, Philippe Bender, Ramón Tebar, and Yang Yang. Of note are performances of the Lutoslawski cello concerto with Carlos Miguel Prieto leading the UNAM Philharmonic Orchestra (Mexico); Tchaikovsky’s Rococo Variations with Germán Gutiérrez and the Dallas Symphony Orchestra; Osvaldo Golijov’s Azul with Miguel Harth-Bedoya, Michael Ward-Bergeman, Jamey Haddad, Cyro Baptista, and the Fort Worth Symphony Orchestra; and Brahms’ Double Concerto with Henning Kraggerud and the Aarhus Symphony Orchestra (Denmark) led by Giancarlo Andretta.
A passionate champion of music of our time, he is the dedicatee of 20 compositions and has presented 57 premiere performances and the world premiere recording of 19 works, including the first recording of Samuel Zyman’s Suite for Two Cellos with Carlos Prieto. With pianist Gloria Lin, he recorded the complete music for cello and piano by Robert Rodriguez and Rapsodia Latina, an album featuring seven world premiere recordings, including Esteban Benzecry’s Rapsodia Andina and Gabriela Lena Frank’s Manhattan Serenades. Additionally, he gave the premiere of Lera Auerbach’s Postscriptum, with Arkady Fomin and David Korevaar, in the Clavier Trio; and the New York premiere of Mark-Anthony Turnage’s Cello Concerto, Kai, with the New Juilliard Ensemble led by Joel Sachs. With Germán Gutiérrez and the Texas Christian University Symphony Orchestra, he premiered Edgar Valcárcel’s Concierto Indio and Jimmy López’ Cello Concerto, Lord of the Air, subsequently recording the latter with Miguel Harth-Bedoya and the Norwegian Radio Orchestra for Harmonia Mundi to international critical acclaim.
In 2024-25, he leads Stories of Tango, a partnership with legendary tango figure Daniel Binelli, award-winning filmmaker Sangsun Choi, and organizations nationwide to preserve and disseminate the cultural legacy embedded in a new collection of concert tango music for cello and bandoneon. He also collaborates with pianist David Korevaar, explores music for violin and cello with Gabriel Richard and repertoire for flute, cello and piano with Jill Dreeben and Carmen Peralta; unveils a new cello concerto by Ludsen Martinus; and performs at Carnegie Hall and in South Korea with Sejong Soloists.
A renowned educator, he developed an internationally sought-after cello program at Texas Christian University, where he taught for 18 years. At TCU, he founded and served as artistic director of the TCU Cello Ensemble, the TCU Cellofest, and of the Faculty & Friends Chamber Music Series. Previously, he was a cello faculty at the Juilliard School’s Pre-College Division. His students are now performers, college professors, professional orchestra members, K-12 teachers, conductors, composers, arts administrators, entrepreneurs, and altogether productive and engaged citizens in the U.S. and abroad.
He has given masterclasses at Beijing’s Central Conservatory, Paris Conservatoire, the Leipzig and Stuttgart Hochschule, the Yale School of Music, and for the Japan Cello Society, the Youth Orchestra of the Americas, and the Colombia Youth Philharmonic Orchestra. Additionally, he has adjudicated at the Lynn Harrell Competition (Dallas), the Sphinx Competition (Michigan), and at the Aiqin Bei (China), Lutoslawski (Poland) and Carlos Prieto (Mexico) international cello competitions.
As an American Council on Education Fellow, he developed perspective on higher education with leaders at the University of Miami and at campuses across the nation. Additionally, he completed the Management Development Program at the Harvard Graduate School of Education. He has served in a variety of administrative leadership roles in and outside of academia ranging from faculty senate chair and school director to associate dean and alumni club president. These experiences strengthened his appreciation for the transformational impact of communities of learners.
Of Peruvian heritage and raised in France, Dr. Castro-Balbi graduated from the Conservatoire National Supérieur de Musique at Lyon (France), Indiana University Bloomington, and the Yale School of Music, and holds a Doctor of Musical Arts degree from The Juilliard School. He had the privilege to learn from Aldo Parisot, Janos Starker, Iseut Chuat, Marc Coppey, Jean Deplace, and members of the Amadeus, Borodine, Juilliard, Ravel and Tokyo String Quartets.
Dr. Castro-Balbi is a professor of music at Kennesaw State University, a large public research university in metro Atlanta.
““The majestic aerial ballet of Andean condors inspired Lopez’s more rigorous cello concerto, “Lord of the Air,” which Jesus Castro-Balbi, the virtuosic cellist to whom it is dedicated, dispatches with palpable intensity.”
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Defining Experiences
I was fortunate to learn from masters to whom I am forever indebted. Among the most impactful memories of my younger years, I would like to mention Jean Deplace's warm wisdom and musicianship; Marc Coppey's intensity and integrity; Iseut Chuat’s imagination and freedom; Janos Starker’s brilliant and principled approach to cello playing and music-making; Aldo Parisot’s generosity and humanity; learning Gilbert Amy’s Shin’anim Sha’ananim with the composer as an undergraduate student, and, later on, gathering his insights to write my doctoral dissertation; performing the music of Borodine, Prokoviev and Tchaikovsky with Rostislav Dubinsky; studying Beethoven with David Finckel, Wu Han, Henry Meyer and Isaac Stern in Israel; experiencing music anew with György Kurtág in Hungary; studying and performing the music of Pierre Boulez and Péter Eötvös with Pierre Boulez, David Robertson and members of the Ensemble Intercontemporain; learning and performing the Schubert Quintet with Martin Lovett and the Quatuor Rassaert; and re-discovering Brahms and Schubert with Norbert Brainin and Sigmund Nissel of the Amadeus Quartet in London.